摘 要

曹禺早期的三大剧作《雷雨》《日出》《北京人》中塑造了蘩漪、陈白露、愫方三个性格各异命运多舛的女性形象，她们的命运与时代的发展、社会的进步息息相关，前两者的结局形式是悲惨的，而愫方是从无觉悟、无反抗到觉醒到彻底的觉悟，最终勇敢地冲出封建藩篱，投奔光明，走向新生。表现了曹禺对封建旧制度下女性命运的关注和深切的同情及新时代的憧憬与肯定。

关键词：曹禺；女性形象；觉醒；新生

ABSTRACT

The ao Yu early time's three big dramatic works "Thunderstorm" "Sunrise" "Person from Beijing" molded fan the ripples, the Chen White Dew, su the side three dispositions to vary the destiny erroneous feminine image, their destiny and the time development, society's progress was closely linked, the first both's result form was pitiful, but su the side was from not came to understand that did not have revolts awakens the thorough consciousness, ran out the feudal bamboo fence bravely finally, went to the light, walked toward the new life. Has displayed Cao Yu to the feudal ancient regime under the feminine destiny attention and sincere sympathetic and the new times expectation and the affirmation.

Key words：Cao Yu Feminine image Awakening Newborn