电影《达芬奇密码》的多模态话语分析(17)

发布时间:2021-06-07

Chapter2LiteratureReview

_

Halliday(1978,1985)providesMDA晰m

comprehensiveframework

all

ona

systemicfunctionalbasisbecausethemetafunctionalprincipleprovidesplatformformultimodaltheoryandpractice.

Kressand

integrating

Leeuwen(2001)said“if

we

see

traditionallinguisticshaddefined

language

as

systemthatworkedthroughdoublearticulation,whereform

messageis

an

articulation

aSa

and

asa

meaning,wethey

have

see

multimodal

four

textsas

makingmeaningin

multiple

articulations.And

mainlydomains:discourse,design,

productionanddistribution.

There

are

strongercorrelationsbetween

can

theoryandpracticeofmultimodalstudies,

fieldofLeeuwen

somethingwhich

be

seen

clearlyin

thecorpusofworkwithinthe

vail

multimodalstudieswithinthesocialsemiotictradition(e.g.Kressand

1996,2006;Jewitt2009,O’Halloranetal2010in

press).

O’Toole’S(1994)

The

move

across

into

another’S

fieldofexpertisehasbeen,since

pioneeringwork

on

visualfineart.ForO’Toole,the

justificationwastobringthefresh

andtheoreticallypowerfulsocialsemioticperspectiveofsystemicfunctionaltheoryto

bearuponthe

since

analysis

ofvisualart,anestablisheddomainofstudy.Atthesametime,

work

on

VanLeeuwen’S(1999)early

thesemioticsofspeech,musicandsound

on

and

Kressand

VanLeeuwen’S(1996,2006)work

or

visualsemiotics,thepracticeof

bringingin

In

new

unexploreddomains.

VanLeeuwen’S(1999)researchof

as

speech,musicandsound,hestatedhisgoalof

researchfollows:

“Itisthe

projectofthisbooktoexplorethecommongroundbetweenspeech,music

threehaveusuallybeentreated

as

and

other

sounds.These

separate,intheory

aS

well

as

practice.They

linguistics

havebeentalkedaboutindifferentways

andwith

differentterminologies:

totalk

totalkabout

speech,musicology

totalk

aboutmusic;notmuchattall

about‘sound

effects’.And

on

theyhavebeenpracticedasseparatedisciplines

too….This

booktriestodotheoreticallevelwhat

manycontemporarymusicians,poets,

11

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